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It’s been a painful handful of days, full of terrible conversations, lies, prejudices, and false equivalences. In the week since Lil Nas X released the provocative, pointedly homoerotic “ Industry Baby” music video and North Carolina rapper DaBaby regaled a Miami Rolling Loud audience with a vile quip about gay sex and AIDS between songs, conversations about homosexuality and homophobia in hip-hop that have been percolating all year have come to a head. The illusion of respect for our differences erodes. If you show too much queer attraction and self-expression, people get uncomfortable. If you coddle hip-hop’s cisgendered, heteronormative core, you can cook. Sometimes, we simply fuck off and do for self. It’s not always like movies, where an existential threat to humanity forces us to settle our differences and soldier forward together, and some maudlin pop song soundtracks our unified efforts to save the future. The last four years have shown us that people don’t always band together when straits get dire. We’ve seen young men fight tooth and nail to defend their ability to transgress and offend at will, clinging desperately to the 20th-century social mores that centered their needs and wants. We’ve seen antiracism pawned off as “woke supremacy.” We’ve seen elderly men weaponize political power to legislate how women are allowed to care for and live in their bodies. But as it dawns on some of us that adding more seats to the proverbial table requires sacrificing a bit of your own elbow room, relations have gotten ugly. If we wanted, we could restructure the power dynamics that bind us. What I’ve seen in the intervening years has made me by turns more hopeful about queer representation in hip-hop and less sure I will live to see a time when the community doesn’t excuse and ignore hateful, homophobic, transphobic rhetoric. Not everyone handled these developments very well, but it felt like progress was being made, however painstaking and slight, toward greater respect for LGBTQ hip-hop fans and artists. iLoveMakonnen had just come out, and Young M.A was flourishing in New York. They kissed each other and kissed a lot and did not feel awkward about doing it.I am by turns more hopeful about queer representation in hip-hop and less sure I will live to see a time when the community doesn’t excuse and ignore hateful, homophobic, transphobic rhetoric.įour and a half years ago, I wrote about homophobia in hip-hop culture. The four heterosexual men – Elijah, James, David and Brodie had never kissed men before and so they decided to try it out partly out of curiosity and partly to make a point about sexuality, kissing and love. The young men briefly spoke about all the social taboos that are related to heterosexual men like how they hug and how they behave and what kind of physical intimacy they share. They began the video with sharing popular ideas and notions about platonic relationships men have with one another. Also Read - YouTube Now Lets You Skip To The Best Part Of A Video. However, a group of six YouTubers, two homosexuals and four heterosexual or straight men got together and decided to make a video of themselves kissing each other to prove the point that boy kissing a boy does not make you homosexual. However, most people in the world will beg to differ from this notion and especially men are a little hesitant in showing love for each other. The world is mostly homophobic and lesbians, gays, bisexuals, transgenders and queer are still fighting to get their love recognized and same-sex marriages legalized, after all love has no boundaries.